who’s equipped to properly screen it) are a hindrance, but that petty terms (i.e. So why can’t so many people see it? The week since Language’s release has seen the start of a minor controversy regarding proper exhibition: it’s not just that some of the most practical reasons (i.e. It’s hailed by publications big and small as a technical breakthrough. ![]() It can lay claim to some of the best reviews for any film from this or the last few years. It’s playing at two of New York’s more prominent theaters, “art house” or not. It’s in the hands of Kino Lorber, a fine distributor. Following a recent premiere at Cannes, where the picture very probably earned more attention than anything else there, it became a central points of focus at Toronto and New York’s respective fall festivals - hardly small affairs in their own right. ![]() One would be hard-pressed to argue for Jean-Luc Godard’s Goodbye to Language as obscure or below-the-radar.
0 Comments
Leave a Reply. |